Monday, 29 June 2015

Re-Shoot Schedule: 04/07/15

TIMETASK
1800Arrive at location
1820Set-up (WB, Audio gear)
1830Film: Aden picking a movie
1840Film: Aden's reaction
1855Film/Audio: Breathing
1900Pack-up
1915Finish pack-up

Monday, 15 June 2015

Foundation Portfolio: Opening Credits - Draft (By Ben Cave)


For the first drafts for the opening credits, we used a very threatening font, to display the fact that the subject of the product was one of danger, and to complement the equally threatening background audio.
For a lot of these shots, we tried to attach the text to an object in the shot, to make it seem as if the opening credits really existed in the world in which the story was taking place.
Some of the team members thought that this font looked a lot like it was designed more for a horror film than for a thriller, and expressed that the tails on the letters looked like blood trails.
The text font that we chose for the new opening credits was a lot cleaner than the original one, and looked more like what would be used for a thriller: bold, but not as threatening as what would be used for a horror film.
For many of the shots, we also decided that it would not be a good idea to try to make it seem as if the text was part of the world, so we made it stick out from the world, in order to make it obvious that it was not.
We also changed the colour scheme to red, as we thought that blue was to passive a colour to be used in this product, especially when combined with the new, more passive text font.




































Thursday, 11 June 2015

Foundation Portfolio: Shooting Schedule (16/06/15)

TIMESACTIVITY
17:45Be arriving and starting to set up
18:00SETUP
18:15SETUP
18:30LUCAS shots
18:45LUCAS shots
19:00LUCAS shots
19:15LUCAS shots
19:30LUCAS shots
19:45REDO lucas outside
20:00ALT intro
20:15ALT intro
20:30PACKUP
20:45FINISH PACKUP

Wednesday, 10 June 2015

Foundation Portfolio: Final Storyboard (by Andrew Eiserman)

When using this storyboard we stuck to it as much as possible but some shots were altered in the actual filming process due to technicalities, such as page 5 slide 3 the rotating shot, this couldn't be filmed because there was a balustrade blocking the path of the cameraman. And some shots were removed in post production because they looked better in theory than in practicality. 

Foundation Portfolio: Timeline (by Annamarie Mataio)


Tuesday, 9 June 2015

Foundation Portfolio: Reccie Photos (by Andrew Eiserman)

These are the reccie photos taken at location. There were other photos taken at the location scouting stage. In our pre production process we did location scouting before the scripting and storyboarding or even before we had our final idea set, which deemed them unuseful. But these were taken after planning and scripting was done and aided in the drawing of the final story board.

Foundation Portfolio: Brainstorm (by Monumental Pictures)

Tuesday, 2 June 2015

Foundation Portfolio: Shooting Schedule (13/06/15)

 Shooting Schedule: Saturday 13th June
TIME (PM)
TASK
               1800
Arrive at the location
           1815-30
Set-up (Audio gear, WB, Camera Shots)
               1850
Finish set-up & start filming
               1900
Film: Outdoor shots
               1910
Film: Outdoor shots
               1920
Film: Outdoor shots
               1930
Film: Opening Kitchen shots for opening credits
               1940
Film: Opening Kitchen shots for opening credits
               1950
Film: Kitchen shots
               2000
Film: Kitchen shots
               2010
Film: Kitchen shots
               2020
Film: Lounge shots
               2030
Film: Lounge shots
               2040
Film: Lounge shots
               2050
Film: Lounge shots
               2100
Film: Additional shots (if shots left out or re-dos)
               2110
Film: Additional Shots (if shots left out or re-dos)
               2120
Pack-up
               2130
Finish Pack-up

Monday, 1 June 2015

Foundation Portfolio: Draft of Storyboard (by Andrew Eiserman)

This is the rough initial draft of the storyboard and is not complete because when I drew this storyboard the script was in the process of being written and the story did not yet have a resolve. But this storyboard was very useful in the envisioning of the plan and seeing some of the theoretical ideas of shots become slightly more tangible.